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I try to leave out the parts that people skip. ~Elmore Leonard
Substitute “d***” every time you’re inclined to write “very;” your editor will delete it and the writing will be just as it should be. ~Mark Twain
Fill your paper with the breathings of your heart. ~William Wordsworth
Don’t tell me the moon is shining; show me the glint of light on broken glass. ~Anton Chekhov
Vigorous writing is concise. ~William Strunk Jr.
Write without pay until somebody offers to pay. ~Mark Twain
You have to know how to accept rejection and reject acceptance. ~Ray Bradbury
Quantity produces quality. If you only write a few things, you’re doomed. ~Ray Bradbury
The way you define yourself as a writer is that you write every time you have a free minute. If you didn’t behave that way you would never do anything. ~John Irving
If any man wish to write in a clear style, let him be first clear in his thoughts; and if any would write in a noble style, let him first possess a noble soul. ~Johann Wolfgang von Goethe
Learn as much by writing as by reading. ~Lord Acton
I owe my success to having listened respectfully to the very best advice, and then going away and doing the exact opposite. ~G.K. Chesterton
Consistency is the last refuge of the unimaginative. ~Oscar Wilde
Zest. Gusto. How rarely one hears these words used. How rarely do we see people living, or for that matter, creating by them. Yet if I were asked to name the most important items in a writer’s make-up, the things that shape his material and rush him along the road to where he wants to go, I could only warn him to look to his zest, see to his gusto. ~Ray Bradbury
by Kiirsi Hellewell
Due to some major upheaval in my family’s life I missed my regularly scheduled post yesterday. Consequently, I’m posting a day late. And it’s going to be short and sweet today…just a few interesting and helpful articles and things on writing I’ve come across on the web in the last few weeks.
First up, we have author Barry Lyga’s funny and informative post on how to cope with writer’s block.
Next, from the Author2Author site, how to deal with rejection letters.
From Cheryl Klein, editor, comes some really good tips on getting to the emotional heart of your story. (Cheryl’s site is full of excellent articles and tips…she’s currently in the process of moving all her articles on writing to a brand- new site, so check back soon.)
Lastly, from WritersDigest.com comes a really lovely tool…Jane collects the best tweets from Twitter every week on writing (by category) and puts them all in one place. As Jane says, “I watch Twitter, so you don’t have to.” You don’t have to be signed up for Twitter to access these articles.
Kiirsi Hellewell lives in Salt Lake City. She’s currently knitting, baking in the heat and dreaming of shady pine forests. You can find her on Twitter or Facebook or on her blog.
I recently had a meeting with a wonderful editing team at a local publishing company. We had a great discussion about how to create a strong climax/ending in a book.
One of the principles mentioned was helping the reader understand what it is at stake. For example, in Suzanne Collins Hunger Games, the stakes are clear: each of the contestant’s lives is on the line, as well as the reputation and future of their respective districts. In Harry Potter, it’s not only Harry’s life at stake, it’s the future of the wizarding community and the world. In Fablehaven, the safety of the magical preserves, magical objects, magical creatures, and the good of the world is at stake.
So what’s at stake I your book? Why does it matter?
During the climax/ending of your book, does the choice of the hero/heroine determine the fate of the world? Of their own soul? Does the reader clearly understand that? Chances are, the higher the stakes (as long as we don’t get too far-fetched), the more satisfying the experience for the reader.
Tiffany Dominguez
Freelance Writer: YA Fiction
http://scribblebymoonlight.blogspot.com/
by Kiirsi Hellewell
A couple of weeks ago, author Justine Larbalestier started a discussion on her blog about fan fiction. It sparked a flurry of comments—passionate on either end (for and against). I’ve never really thought much about fan fiction, but after reading this discussion I decided to do a little research into the history and concept.
According to Wikipedia (yes…I know…not always accurate, but still a good starting point for information), fan fiction has been around for a very long time. Examples of old fan fiction include King Arthur stories spread around Europe more than 1,000 years ago; medieval Arabic fiction including Arabian Nights; and even sequels in the 17th century to books like Don Quixote. The popular musical My Fair Lady is a version of George Bernard Shaw’s play Pygmalion; Pygmalion itself is based upon a Greek myth.
Think about the current popularity of novels based on fairy tales. This could be considered fan fiction, in a way. They’re based upon already-existing stories. The novels were written because either the authors really loved the original tales or else felt there was something lacking and wanted to expand the story and flesh out the characters (or both).
Sci-fi writer Cory Doctorow praised fan fiction in an article from 2007, saying that he was so inspired after seeing Star Wars in the theater at the age of 6 that he rushed home and wrote his first fan fiction immediately afterward. He makes some good points about writing fan fiction, and the comments under his article and on Justine’s blog are full of reasons that people write this type of fiction:
* It’s a starting point—a springboard—to writing your own, original fiction. Sometimes it’s easier to get started writing with characters and a setting that are already familiar to you.
* For frustrated readers who didn’t like the way the story ended—or felt there were major missing pieces and questions—fan fiction is a way to fill in those gaps or make a different ending.
* Fan fiction allows people to spend more time with characters and a world they love, even when the book or series or TV shows end.
* It’s a great way to make friends and become part of a community with the same interests.
* Instant feedback from readers makes it not only rewarding, but helps the fanfic writer become a better writer.
There are also downsides to fan fiction, however. Here are some of the big ones:
* Bad writing. Some people have said that 90% of fan fiction is not worth reading. (Those same people admit that there are actually some really brilliant fan fiction writers who produce better work than the original source.)
* It’s addictive. You can get so caught up in reading the millions of stories out there that you live more in the fan fiction world than your own.
* Some people, including the original authors, may hate the fact that their characters are taken without permission and written about in ways they never intended, especially in certain relationships. (I personally hate the fact that there’s lots of fan fiction out there—or so I’ve heard—that goes way past PG ratings. If I were a popular author, I would find it very hard to deal with someone doing that to the characters I created.)
* Fan fiction writers aren’t taken very seriously in “literary” circles. They’re often looked down on, criticized, and made fun of.
* Potential legal troubles, if you take it too far. (Not only copyright issues—there’s a whole sub-genre of fan fiction called “Real person fiction” that I really don’t agree with. This is fan fiction written about an actual person, living or dead. You might argue that historical novels are “real person fiction” but since they’re about people long dead, and mostly based on fact, no one really thinks of them that way. My sister came across some fan fiction last year about a popular current singer and was horrified…stories about backstage encounters with fans, impregnating aliens, etc. I would hate to have someone writing in that way about me and my life.)
Any way you look at it—whether you love or loathe fan fiction, or feel indifferent to it—it’s a popular part of our culture and has grown hugely with the ability to share stories over the internet. And hey, it gets people writing—which is always a good thing.
Kiirsi Hellewell lives in the Salt Lake valley. In the interest of full disclosure, she admits that, in her teens, she wrote a few stories about a certain British figure skater. BUT this was before she’d ever heard of fan fiction; it was kept in a notebook; rated G; and never seen by anyone but herself. And yes, it did help her decide that writing was so fun she wanted to keep doing it. :)
by Scott Rhoades
Starting a major writing project is like asking a girl you really like out on a date when you don’t know if she feels the same way about you.
You have big ideas. You plan. You dream about the date, and how perfect it will be. You spend all your time thinking about it, consciously or not. Maybe you spend a little time talking to her, if you're brave enough, just to test the waters, but you avoid anything substantial.
When the day comes to ask her out, you approach her, then chicken out. You might even ask a couple other girls out. They’re nice enough and you enjoy their company, but none of them is The One.
Finally, the time comes to jump in and do it. You get your nerve up and approach. But no matter how hard you try to be cool and suave and perfect, you come off sounding like a dork. You keep going, though, and by the time you’re done, with a little work, things work out pretty well.
The analogy could be continued, I suppose, with drafts being the dating process, even into marriage. But I don’t want to think about that right now. I’m still trying to coax a certain character to spend a little more time with me.